I have added 2 new portraits of Felicity Jones to the gallery. You can go there to take a look to the photos and enjoy!

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The moment that Felicity Jones watched the livestream of Pierpaolo Piccioli’s autumn/winter 2021 collection for Valentino, she decided to wear one of his creation’s for her first post-lockdown event. Presented in Milan’s echoing Piccolo Teatro – which has been firmly closed since the beginning of the pandemic – Piccioli expressly designed clothes that would feel radical, bold and sensual.

“That combination of romance and punk spirit – it’s just my happy place,” the former BAFTA nominee tells Vogue over the phone on her way to tonight’s BAFTAs, where she is set to present the award for Best Cinematography. For the run-up to the ceremony, she selected a voluminous Valentino ballgown, before changing into an off-the-shoulder custom look at the Royal Albert Hall. The latter’s black fabric was embellished with masses of ’20s-style fringed beading – an appropriate way to welcome in the true beginning of the Roaring Twenties – paired with diamond Pluie de Cartier earrings and a Reflection de Cartier ring. “Pierpaolo’s idea that we’re living through a period when the rules have gone out of the window chimed with where my head is at in this particular moment. Creativity is opening up again in this fantastic way. It’s a new dawn for cinema and fashion.”

For Jones, that new dawn has personal resonance, with her long-delayed film The Last Letter From Your Lover finally due to premiere this summer. “I actually shot that in the last few months before the pandemic hit, so it’s quite nostalgic for me reflecting on it,” the 37-year-old, who also served as an executive producer for the movie, notes. “I play a journalist in London, who’s reached a point in her life when she’s feeling quite disillusioned. I actually played her as if she constantly had a hangover. Clearly, she’s lost her direction a bit, but then she finds these old letters between Shailene Woodley and Callum Turner’s characters, who had this illicit romance in the ’60s. For me, it’s a hopeful film, and one that will give people a much-needed laugh, I think.”

And while Jones is “really, really excited to go to the shops” when various lockdown restrictions end in London tomorrow, she’s most thrilled about the prospect of heading to her local cinema in a few months time. “We’re never going to take that for granted again, watching a film with a box of popcorn and a glass of wine, that joyful communal experience – my God, I’ve missed it.” [Source]

Finally, Felicity attended a new event. She was a presenter at the 74th British Academy Film Awards.

Felicity Jones attends the EE British Academy Film Awards 2021 at the Royal Albert Hall on April 11, 2021 in London. You can go to the gallery to take a look to the great photos!

If you like the updates and want to help this site to keep online, please, feel free to go here to donate. Every little bit helps!

I have added a couple of photos of Felicity Jones on the Graham Norton Show (April 09, 2021). You can go to the gallery and enjoy!

I have added a new still of Felicity Jones from her new movie, ‘Last Letter from Your Lover’. I can’t wait to get more stuff!

I have added some new magazine scans of Felicity Jones to the gallery. You can go there to take a look to the photos.

First of all, I am so sorry for don’t update this site before. It wasn’t a great month. Anyway, I would like to wish Happy New Year to all. Hope everyone is safe and fine.

I have added a new photoshoot of Felicity Jones to the gallery. You can go there to take a look and enjoy!

If you like the updates and want to help this site to keep online, please, feel free to go here to donate. Every little bit helps!

If 2020 was the year of Zoom calls, could 2021 be time to return to traditional letter writing? Felicity Jones and Shailene Woodley’s upcoming Netflix romance may have you feeling inspired to put pen to paper.

Adapted from The Last Letter From Your Lover, a novel by Jojo Moyes (also known for penning Me Before You), the upcoming dual-narrative drama takes places in two different eras, following the lives and loves of Jennifer Stirling (Woodley, Big Little Lies), an American woman living in 1960’s London and contemporary London journalist, Ellie Haworth (Jones, The Theory Of Everything). Though decades apart in age, the two women’s lives are intertwined when Ellie stumbles across some heartbreakingly beautiful love letters addressed to Jennifer in the archives at the newspaper where she works.

Lost love letters coming to light decades later might sound like the stuff of overly-sentimental viewing, but Jones — who had been eager to work on a project with novelist Moyes for some time — found herself charmed by the story’s romance yet lack of “schmaltz.” “The moment I was sent the script, the stars just aligned,” she tells EW. “I liked how human it was; it was just an immediate response. It had such fun to it, as well as being quite emotional.”

When Woodley came on board later, it was the chance to work with director Augustine Frizzell (Never Goin’ Back, Euphoria) that had her ready to sign on, no questions asked. “Before I even read the script I was inclined to say yes,” she says. “I had been really wanting to work with Augustine and just loved her as a human being… Then I read the script and it was really beautifully executed — I don’t feel like there’s a lot of movies that are told this way and are also executed in a way that’s thoroughly entertaining and intelligent.”

Beyond the source material and director, both Jones and Woodley found themselves drawn to a story of women discovering their identities and reckoning with the romantic, life decisions they’ve made. “You witness a woman’s journey in how she chooses to live her life,” says Woodley, whose character Jennifer finds herself falling in love with troubled journalist Anthony O’Hare (Callum Turner, Fantastic Beasts) while married to the frightfully well-to-do, yet cold Laurence Stirling (Joe Alwyn, The Favourite). “You recognize the struggles that come with being a woman, specifically in that time era, making decisions for herself and choosing a path that perhaps isn’t the most well-worn, yet is the most fulfilling. There aren’t a lot of stories about women who do make decisions for themselves even though there are serious consequences and repercussions.”

The actress has dealt with stormtroopers, Stephen Hawking and the US Supreme Court during her career, but as the release of her latest film approaches, she tells Gavanndra Hodge how having a baby during lockdown was her most challenging role yet

It’s one of those dreaded conversations. You’ve just started your dream job when you discover you’re pregnant. How do you tell your new boss? This was what happened to the actress Felicity Jones, who had taken the role of the astronaut Sully in The Midnight Sky, a film starring and directed by George Clooney. Production had already begun when Jones had to make the call.

“I think I might have told George Clooney that I was pregnant before I told some of my friends and family,” Jones says over Zoom, sitting in an upstairs bedroom of her terrace house in London, late on a dark Friday afternoon. “But George was very determined to keep me in the film, and the more we explored it, the more it felt right to include the pregnancy as part of the story. It was really nice that I could play what was happening to me personally as well as playing the character. George was very modern in his approach and actually quite revolutionary in not wanting to hide it. In the end it was a much cooler way of navigating the story.”

The Midnight Sky is an end-of-days space opera set in the near future. Jones’s character is part of a crew manning the last ship in space, returning home after investigating the potential of another planet to sustain life. Meanwhile, back on Earth, an apocalyptic event seems to have killed most people except Clooney. Life and art intersected in troubling ways during filming, the insularity and joy of the set — “George is even nicer and funnier than you would expect,” Jones says. “He is just very honest, very straightforward, very unvain, very intelligent” — contrasting with news reports about Covid-19’s spread in China. “Soon after shooting we went into lockdown. It was so strange to be acting something and then, within weeks, going through it in reality. I remember thinking, I much prefer pretending.” Furthermore, Jones gave birth to her son in April, as deaths and hospital admissions were reaching their (first) peak in the UK. “To have a baby in an apocalyptic moment is pretty scary,” she admits.